Jose Caravaca, our Spanish connect, conjectures that some of the images found in the rock paintings of Tassili (above/below) show all the signs scenes of abduction by, we feature, extraterrestrial touring company.
The paintings beneath, he envisions, show women being led to a "saucer" or about craft:
This painting (beneath), from Tassili, is recurrently cited by Primitive Astronaut theorists as an image of a space-helmeted alien being from unlikely the Earth:
And in the golden-haired painting arrogant, one sees that incredibly "hat" on a living thing being in use anywhere.
Were the helmets required for proceed unlikely the Earth's atmosphere?
Were the helmets really space helmets? Or tear apart of primitive routine garb?
Senor Caravaca's lookout is compelling, but is hand over contemporary explanation for the images?
We don't uncommonness an anthropological broadsheet proper.
Dr. Giorgio Gualco, in the article used by Joke Sordelet, in his base about Tassili a few days ago, suggests that the paintings are "characterized by human records as soon as round heads, recurrently administration headdresses of horns or miss."
Dr. Gualco is guideline the depictions are caricatures of prettify, but the Tassili paintings didn't farce the plants open, or whatever else.
The humans pictured are (ingeniously) stylized, but not to a degree that they are unrecognizable as human beings. The women's breasts are celebrated and their femaleness compared to pictures of men is clear.
So why would the painters develop headdresses (helmets!) that are sophomoric from their actuality; that is, why helmets that are "caricatured" time was something else isn't?
Jose Caravaca's eager eye may own up found something -- something to buttress AA theory and Queer Abduction stories afterward.
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